Tomato violenceonly marks the beginning of my love affair with theCasio ’s Exilim EX - F1 , aka the Hiro Nakamura supercam . It ’s crazy habit-forming . Last weekend I went looking for tight - proceed objects to capture in slow - mo , and in my backyard I come up with a freakin ’ zoological garden of unexpectedly interesting little beasties .
https://gizmodo.com/casio-exilim-ex-f1-tomato-violence-at-300-600-and-120-381363
Everything is a twitch here , a fuzz there — you have to realize that this whole two - bit video consists of just 10 to 12 seconds of real life , depict at 300fps or 600fps . ( 1200fps turned out to be too much of a novelty , too dark to be hardheaded , as you may see in thetomato - blender vid . )
Shooting slow - mo take on some getting used to , and because you end up with long stretches of zero movement , the in - cam picture editor is not just a sumptuousness but a essential . In the end , though , everything looks like it ’s quick for Discovery Channel . I think that chipmunk ’s gon na be a star . [ Casio Exilim EX - F1 Full Review on Giz ]
https://gizmodo.com/casio-exilim-ex-f1-slow-mo-super-cam-full-review-verdi-383843
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